Heyman, I just figured out how to solve this problem. Just go to composition menu in the top left and then press preview>play current video. Hope this solves your problem. All my audio mapping is accurate, and still nothing when I hit spacebar or 0. Newsin Hindi(हिन्दी में समाचार), Hindi News(हिंदी समाचार): देश के सबसे विश्वसनीय अख़बार पर पढ़ें ताज़ा ख़बरें। पढ़ें देश, विदेश, Review& Komentar Sekilas Trailer Film Jadwal Film Review Film () Sinopsis Film WARNING: DO NOT PLAY Mi-Jung (Seo Ye-Ji) adalah seorang sutradara film yang masih baru dan dia telah mempersiapkan film horor selama 8 tahun terakhir. Suatu hari, Mi-Jung mendengar tentang film yang dilarang. Mi-Jung ingin tahu tentang film ini. Dia mulai mencari film. Shout Factory in collaboration with Candid Camera, Inc. has debuted the newly produced documentary feature MISTER CANDID CAMERA across major digital streaming platforms. Available for purchase and rental, this captivating movie traces the life and career of Allen Funt, often described as “the man who invented reality TV.” OverallSatisfaction Rating. 5 stars. 4 stars. 3 stars. 2 stars. 3,907,143 reviews on ConsumerAffairs are verified. We require contact information to Todo so, follow these steps: In the Now Playing area, right-click the file that you try to play, and then select Properties. Select the File tab, note the codecs that are specified in the Audio codec and the Video codec areas, and then select OK. If . 3 star haunted video horror/mystery. Warning Do Not Play is a South Korean Shudder original horror film written and directed by Kim Jin-won The Butcher. It is available on , a premium horror/thriller streaming service and also on Shudder UK. “Do you have a religion? Stop thinking about Warning, start going to church.” Mi-Jung Ye-ji Seo – Save Me, Lawless Lawyer is a young film director. She has been contracted to make a film on the back of film festival success but is struggling to come up with the goods. With her final deadline looming, things look bleak, her dreams provide her with some ideas but not enough. As luck would have it, good friend and former colleague Joon-Seo Yoon-ho Ji – In Between Seasons, Argon remembers a rumour that he heard. A student filmmaker produced a film for his graduation project which was supposedly so scary that half the audience ran out and one of them died of a cardiac arrest. Unfortunately he knows neither the title nor the year it was made, just the University. Spotting an opening, Mi-Jung heads off to Daejeon University to investigate, but runs up against resistance there too until she speaks to the students, who all know the rumours about the film “Warning”, supposedly made by a ghost. Finally, she is able to track down director Kim Jae-hun Seon-kyu Jin – The Outlaws, Kingdom, however he is less than pleased to see her and offers a stark warning to leave well alone. Of course she does not do this and events begin to spiral out of control as the lines between truth and fiction blur. Warning Do Not Play is an interesting addition to the haunted film genre. It approaches from several angles, traditional horror film style for Mi-Jung’s activities and found footage style for the actual film she is researching, as well as a making-of feature. Clever as all this is however, it does eventually result in the story becoming a little fragmented and rather confusing and difficult to follow in places. It does have a good and very surprising twist and the whole thing is carried by an excellent acting performance by Ye-ji Seo who really makes it believable. The majority of the horror comes towards the end of the film, prior to that it is more of a mystery. Once it arrives it is a blood soaked eyeball fest and quite satisfying. Well worth a watch as something a little different in this genre, sure to delight fans of Korean horror and haunted films. “So, what happens to the director and her friend, in the end?” Warning Do Not Play is available to stream now on Shudder.  DirectorKim Jin-won GenreHorror/mystery StarringYe-ji Seo, Seon-kyu Jin, Yoon-ho Ji A rookie director desperate for a script seeks out an urban legend about a horror film said to be filmed by a ghost. Mix found footage, classic Asian horror and more than a touch of Christopher Nolan's penchant for nested or complex narratives and you have a fascinating film from writer/director Kim 암전 is the Korean title for this film and means "Blackout" which is a much better title as it has multiple levels of meaning for this film. It probably doesn't have that attention grabbing feel of a title like Antrum The World's Deadliest Film which this has been compared to. That said the English title does work it just doesn't have the same this film, Mi-Jung Seo Ye-Ji is a first time feature director coming off of an impressive festival screening. But we find her suffering from that great curse of all creatives, writer's block. Running out of time to present her producers with a script she desperately seeks out a subject. This is a pretty common set up for a ghost story. There are two kinds of ghost story protagonists those who inadvertently contact the ghosts and those who seek out the ghosts. The former tends to show up in films like The Grudge, Rec, The Amityville Horror and The Conjuring. These are usually survival/escape/resolve haunting stories. The latter is more who seek ghosts fall into a few subcategories the desperate, the hubristic, the curious, and the insane. They can be intermixed but typically these people have some sense of what they are getting into and do it anyway. This can lead to unsympathetic or stupid protagonists. Why would you go into the house of legend and why would you stay when the voices scream "get out?"Mi-Jung falls into the category of the desperate and the curious. Her desperation for inspiration leads her to dig up a legendary film called "Warning" that was supposedly filmed by a ghost who murdered the people on screen. But once she finds out about it her curiosity starts to get the better of her and she feels she must find this film. This leads her down a progressively dark path where we learn that there is more to her and this obsession than we first notice I don't mention other actors as much and that's not because they aren't good it's just that Mi-Jung has the responsibility of carrying the film and is in most every shot, many times alone. If we do not believe her, the movie falls helps that Kim Jin-won has penned an interesting script. The film has meta feel in places. A film about a filmmaker seeking a film that's based on a mystery surrounding another previous film gives the whole thing a Russian nesting doll feel. And it works more than it doesn't. The film is narratively ambitious and it doesn't leave a lot of room for character development. Most of it is either expository or used to move the story forward. It's not bad but you won't be finding any grand soliloquies in film though is almost too ambitious. Without the intricate set up and pay off the film is a pretty standard "oh no I opened a can of ghost" based on the Gwishin 귀신 who are ghosts cursed to remain on earth because they have not finished their objective in life one guess what that is. Rather than tell a complex story in a simple way the film tells a simple story in a complex does have a few red herrings and an ending that is ambiguous, the different film narratives collapsing into a single tale about madness, obsession with the camera and what it can do, and an angry ghost. And your enjoyment of the film will come from how well you feel the film accomplishes this narrative direction is spectacular with lots of clever ideas and Jin-won is able to maintain cohesion regardless of which film we are experiencing. The found footage is of a different quality than the main feature and the feature within that has its own vibe. I love that the film doesn't rely heavily on jump scares. There are a few but mostly the film is content with is some gore and it's mostly good. It's a mix of practical and digital and I'll have to say some of the digital elements were very apparent and took me out of the film especially a sequence involving some barbed wire but this is a common gripe for me and may not be for you. There are some digital effects shot not related to the gore that are actually rather exciting and show a clever imagination on the part of the do want to take a moment to single out the cinematography. Yoon Young-soo has translated the director's ideas into some beautiful haunting imagery. Many scenes in the film have a single cell phone light source and it never feels cheap or cheesy. There's a great use of different colored filters to highlight characters and offset them from each other and the backgrounds. Outside of the ghostly moments there is a naturalistic feel to the lighting, especially a couple of scenes at night at an outdoor Do Not Play is a great little horror movie. It has a lot of things I like from different genres and includes some impressive direction and cinematography. If you've seen a lot of Asian horror or a lot of found footage and are looking for something a little different and narratively ambitious this might be for you. Found footage draws ire among some ⏤ but there’s something bewitching about witnessing a murderous rampage directly through the eyes of the victims. A sub-genre made famous with 1999’s The Blair Witch Project emerges as the underpinning of Kim Jin-won’s WARNING DO NOT PLAY, a stylish and enthralling tale about one young filmmaker’s hunt for her next breakout screenplay. Even in borrowing particular genre tropes don’t worry, only the film-within-a-film is found footage by definition, Jin-won relies on his own story’s strengths to unseat your expectations and crawl under your skin. Creatively tortured, putting herself through various nightmarish hypotheticals, Mi-Jung Seo Ye-ji struggles to find inspiration, so she turns to a close friend and colleague to pick his brain for ideas. He recounts a spooky urban legend of a student film so terrifying the moviegoers fled the film’s premiere, and even one person had a heart attack ⏤ perhaps referencing such real-life terrors as The Exorcist, known to evoke such extreme responses in its audience. Mi-Jung scavenges various online sources, combing her way from one rumor to the next, until she tracks down the university at which the film was made. Anyone she encounters are struck with blood-curdling fear and urge her to stop while she’s ahead. Of course, her curiosity gets the better of her, and she continues on her downward spiral to uncover the truth about this unspoken film. She then cobbles together several more puzzle pieces and posts online inquiring if anyone has any leads or other information. The now psychologically-ravaged filmmaker himself, Jae-Hyun Jin Sun-kyu, reaches out via anonymous call, and he’s willing to meet, if only to deter her once and for all from her naive and misguided pursuits. In his desperate pleas to warn her of what’s to come, he only comes across as deranged, further spiking Mi-Jung’s determination to find the haunted footage. Her search eventually takes her to the film’s location, a derelict theatre which possesses a horrific, bloody past. She is soon caught in the same ill-fated web those before her suffered, but her art longs for it, no, requires such laser-focus sacrifice. WARNING DO NOT PLAY toys with perceptions, often flickering between erratic, grainy footage and the slicker compositions, courtesy of Jin-won and director of photography, Young-soo Yoon, who play with vibrant reds and cool, minty blues that seem to pierce right through the screen. Frame by frame, they lure you into Mi-Jung’s story, one that doesn’t exactly have such a happy ending. WARNING DO NOT PLAY ⏤ landing on Shudder this week ⏤ is an essential piece of South Korean horror. Follow B-Sides & Badlands on our socials Twitter Facebook Instagram Continue Reading While Korean cinema has a long and pretty terrifying history when it comes to ghost films, the spooky sub-genre doesn’t tend to be forefront in people’s minds when the discussion of South Korean films leans towards horror. Without a doubt, the far more prevalent and easily more recognisable revenge’ model is the go-to for many film fans. So with 2020 being the year that a Korean film is the first foreign language film to take home the Best Film Oscar, Shudder are frontloading their offerings with everything they can grab from the country’s fully stocked library of films waiting for a release. And while April’s MHz did next to nothing for most fans of the genre, the company’s latest acquisition, Warning Do Not Play may fare a little better. An aspiring film maker, Mi-Jung Yi-Ji Seo – Diary of a Night Watchman is frantically trying to come up with a new idea for a horror film. When her friend tells her a tale of a haunted film, supposedly made by a ghost and banned from ever being shown, Mi-Jung sets out to find out if the urban legends and rumours are true. Her search for the scary film that may, or may not, have killed somebody durning a university screening doesn’t only turn into an obsession for the young filmmaker, it becomes the inspiration for her own film. She will document her hunt for “Warning” and that will become her own scary movie. Tracking down the director, Jae-Hyun Seon-kyu Jin – Kingdom, getting her hands on a copy of this damned film and getting to the bottom of why the film is so feared might not be as easy as Mi-Jung thinks. But as tales of a young actress burned to death, a cursed film, and a vengeful ghost begin to feel more like real-life, Mi-Jung finds her dream project and the urban legends she is chasing come colliding together with horrific consequences. READ MORE Video Game Remakes – Why Are We So Excited? In 2007, director Kim Jin-Won not to be confused with the excellent Kim Jee-Woon made The Butcher; a found footage style film that took on the taboo of snuff movies, and looked at footage from the angles of the maker and the victim. It was a fun little film with something interesting to say but fell flat with audiences that saw it; primarily for its inability to live up to films like The Good, The Bad and The Weird or The Host that surrounded it. But the filmmaker had an obvious love for the way films are created, and telling stories around their production. Warning Do Not Play, while slightly self-indulgent, is a love letter to the creation of low-budget found footage horror films, even invoking the name of The Blair Witch Project in his script which, for the most part, is solid and tense. While not wholly original, much of the tension in this film is built up through the use of a tiny phone flashlight and us knowing, knowing, something is going to come out of the dark straight at us. Early jumps are telegraphed, faked, and then delivered with excellent timing and awareness of audience knowledge. We know that shadow is going to come at us, and we are pretty sure when. Kim Jin-Won knows we know this and racks up the tension before delivering scares accordingly. Sadly, the director’s tricks don’t last long, and this 85 minute film loses the ability to make you catch your breath and draw goosebumps quite early on. That being said, the scares that hit are good and the ones after that point are still delivered well while looking and feeling creepy, but the story of cursed crews and disastrous shoots has taken over and this horror movie becomes more of a mystery needing solving. Yi-Ji Seo convinces as the desperate director clinging onto the hope of a great idea to turn into a film. Her insistence in putting her life in the hands of her phone’s measly light in the hope of getting inspiration are admirable and stupid in equal measure. She has audiences begging her to turn and run and screaming at her for going into that basement we all know is going to be far worse for her than she realises. But we can feel the longing for that killer idea in her and while we know it is almost certainly going to end badly, we understand the things pushing her down those stairs and into the dark. READ MORE The Analogy of Jordan Peele’s Get Out and why you should stop watching The Help Seo’s performance is the main reason to stick with Warning Do Not Play. Her torture at the hands of the ghosts haunting her film is brilliantly portrayed,, even if the hints at her troubled past are frustratingly left by the wayside. She desperately needs a bigger and better film to showcase her talents. Warning Do Not Play is a mish-mash of its influences. From Ringu and Ju-On, to Lights Out with a healthy dose of One Cut of the Dead, the film homages all these great films while never honouring them quite as much as it thinks it is. It is a film to go into with slightly lowered expectations and a less than critical eye. Warning Do Not Play premieres on 11th June on Shudder UK. Warning Do Not Play is a South-Korean horror that can proudly stand among the great Asian movies from this decade with a focus on filmmaking, One Cut Of The Dead and The Kirishima Thing among them. It is essentially a ghost story spanning decades which doubles as a cursed-object movie featuring frequently disturbing imagery – mostly of characters in a catatonic state inflicting self-harm – and while the scares can be bare-bones at times, the movie works best as a metaphor for the worst impulses of filmmakers today how they sometimes end up casually exploiting the suffering of others and misappropriate their stories in order to further their own image or to simply get ahead. On the brighter side, it also demonstrates how cinema can be a beacon of hope, making films an act of salvation, and how just pointing a camera at someone and shooting can be the best possible decision. When we first meet Mi-Jung, she’s having a nightmare of herself being alone in a movie theater, and she slowly wakes up and sees a blinking eye on her phone’s cracked screen. As if to foreshadow the movie’s themes, and its structure, this image is a great sum-up of the whole story that is to come it turns out that Mi-Jung is still dreaming, and when she wakes up for real, we get acquainted to her real plight she’s a horror filmmaker under heavy stress because of a looming deadline; if she can’t come up with a scary concept for her newest project in two weeks, she and the whole team will lose the gig. When she hears about an urban legend concerning a film supposedly directed by a ghost that caused walkouts and heart-attacks, she travels to Daejeon to find it. Mi-Jung is immediately likeable, but she can be immensely manipulative as well. She will have her way no matter what. After she doesn’t get anywhere with the film university staff, she meets three male film-school students in a bar, chatting about Christopher Nolan and Denis Villeneuve the movie uses intertextuality to great effect, and its approach feels universal – it’s a story that can be placed into another geographical area without it losing much of its meaning one of the funniest lines is Your work suffers because you just can’t accept Nolan!’, but the sleek cinematography that can feel like a tour-guide to a haunted house, and the stunningly rich color palette are there for diehard Asian cinema fans to enjoy. She promises to grant them any wish if they can come up with a scary story from the Daejeon region. ANY wish?’, one of them replies, and they start arguing among themselves until all three end up sharing the same story, one related to the same haunted’ film from before. The protagonist is no stranger to stealing either. After getting her hands on a clip from the movie, she manages to track down the director and plans to get the full version somehow. What happens in the second act, after the more investigating an urban legend’ feel of the first one, can seem like standard Asian horror there are definitely some 10 to 15 minutes that feel too minimal, too focused on jump-scares rather than on the actual characters, as the true nature of the film comes into play and Mi-Jung has to fight for her life. What she actually does is just walk around slowly with bated breath while the film is teasing the viewer with the obvious scare waiting just around the corner, and while that can be a plus for atmosphere, it also clashes with what came before and might lose some viewers. But worry not just stick with it. It not only recovers from almost having devolved into a standard, low to mid-tied Asian horror, but it also ends up being an excellent example of a frame story, while perfectly using the show, don’t tell’ principle it includes found-footage elements to tell the tale of the cursed film, and makes the characters behind the original movie feel like actual people, by using clever parallels between them and Mi-Jung and benefiting from some truly creative camerawork. It never ever tells you that it’s about filmmakers exploiting real people and their suffering for personal gain, becoming more distanced from reality and their own humanity – it just lets you witness that first-hand with almost every scene, and carries multiple meanings. The best thing about the movie, besides its visuals and storytelling, is the character development. The original film director is a former shell of himself because of past events, and Mi-Jung’s transformation in the film’s climax occurs within a split-second – a result of her survival instincts, but also the fact that she might be different from the get that footage no matter what’ school of thought. Whether she truly changes or is just more clever and devious than the other characters and finds a way to justify her behavior, of if she chooses to just ignore the past, that’s up for interpretation. As such, the movie illustrates how the current generation of directors can borrow from what came before them, ranging from gentle homage to blatant plagiarism, but can also subvert and refocus. Like the character development and what it actually signifies in the larger picture, the film’s twist ending can be interpreted in a lot of ways it serves as a cautionary tale for the viewer, but also perfectly illustrates what exactly Mi-Jung has lost in her journey of recovering the movie Missing and forcing her way into the director’s seat. As such, it is a pitch-perfect ending to a film that manages – in just 86 minutes – to mix urban legends with curses and angry ghosts, while rarely letting go of its characters, their inner world’ and their journey. The film’s structure and approach to scares can be similar to that of Ringu or Ju-On, but the whole package feels closer to underappreciated, but ambitious J-horror oddities from before 2010 like Orochi and the new wave of Western horror movies, because of its metaphorical aspects. Seo Ye-Ji delivers a breakthrough performance here, and the fact that it almost works as a straight-up scary movie – if you choose to ignore the subtext – is a result of director Kim Jin-Won’s ambitious grasp.  Warning Do Not Play can be seen on Shudder, or acquired from major VOD platforms, and comes highly recommended. More Film Reviews No Escape is a 1994 American action sci-fi, based on the novel The Penal Colony written by Richard Herley. 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Megan Fox plays the role of Emma, a young… Rent Rent/buy Rent/buy Warning Do Not Play Photos Movie Info Terror strikes when a fledgling director investigates claims of a cursed student film. Genre Horror, Mystery & thriller Original Language Korean Director Kim Jin-won Writer Kim Jin-won Release Date Streaming Jun 15, 2020 Runtime 1h 26m Aspect Ratio Scope Cast & Crew Critic Reviews for Warning Do Not Play Audience Reviews for Warning Do Not Play There are no featured reviews for Warning Do Not Play because the movie has not released yet . See Movies in Theaters

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